Following up on the previous post, the Times article about the Room 237 documentary reminded me that it had been a number of years since I’d actually sat down and watched The Shining. With a 4+ hour flight ahead of me, I put it on my iPod and watched it while flying to, appropriately enough, Denver.
A few things struck me while watching the movie this time around. First, it probably would have been better with someone who was *not* Jack Nicholson. While I know how things are going to turn out from having both seen the movie before and having read the book, there really just isn’t any question from the start that Jack Torrance is a tightly bottled lunatic. Nicholson is not, by any stretch of the imagination, a subtle actor–his scenery-chewing is entertaining and frightening, but I think the effect would have been greater had he been able to turn it down a few notches in the early scenes. As it is, watching him grin and ape and arch his eyebrows, I find myself wondering how anyone else in the movie wouldn’t have recognize immediately that Jack Torrance is bad news.
That’s not to say his performance isn’t good. In particular, I was impressed by the scene where Danny goes back to their room in the hotel to get his fire truck and finds Jack sitting on the bed (he’s supposed to be sleeping). Jack calls Danny over to sit down next to him on the bed–the audience knows Jack is already losing his mind, so we’re on edge about what he might say or do to Danny. Instead, Jack hugs him, and for a few minutes, we see a father who loves his child and seems to be trying to find a way back to sanity. Just as we’re starting to feel safe with the scene, and edge begins creeping back into Jack’s questions and answers. Nicholson slowly dials up the crazy, and with it, the tension. It’s an incredibly unnerving scene, and a great performance by Nicholson.
The other thing I realized while watching the movie this time around is that Wendy Torrance deserves a lot more credit than she tends to get as an early example of the Final Girl. Most of that credit usually goes to Jamie Lee Curtis in Halloween. Wendy spends the first half of The Shining trying to put a good face on things, and I’ll admit that her “Gee whiz, this place sure is great, I don’t think I’ve ever seen any place so great!” lines start to grate on my nerves faily early on.
As Jack starts going over the edge and Wendy starts to realize how bad things actually are, though, she’s surprisingly resourceful and resilient. Sure, she’s always about five seconds from completely losing her shit, but in her situation, who wouldn’t be? She hangs on to the baseball bat, knocks Jack out, and then has the presence of mind to lock him in the storage room instead of just running away.
I still feel bad for Scatman Crothers’ Dick Halloran. Pays for his own airfare, rents a Snow-Cat, drives all the way up to the Overlook Hotel in a blizzard, and then gets unceremoniously whacked in the chest with an axe for his troubles. His role in the film is more or less that of a plot device–he explains to the audience that Danny has “the shine,” and then he serves to get get a spare Snow-Cat to the hotel so that Wendy and Danny can escape at the end. Aside from that, he could be dropped from the film and have no real impact on the story.